da: The New York Times \”The Good Shepherd,\” a chilly film about a spy trapped in the cold of his own heart, seeks to put a tragic human face on the Central Intelligence Agency, namely that of Matt Damon. The story more or less begins and ends at the Bay of Pigs. Leggi l’articolo originale

da: The New York Times There are certain assumptions that American audiences, perhaps without realizing it, are likely to bring to a movie about World War II. The combat picture has been a Hollywood staple for so long — since before the actual combat was over — that it can sometimes seem as if every [...]

da: The New York Times Aw, ya can’t help but love da big Palooka! Under all dem muscles the champ’s still got a heart o’ gold. Leggi l’articolo originale

da: The New York Times There are certain assumptions that American audiences, perhaps without realizing it, are likely to bring to a movie about World War II. The combat picture has been a Hollywood staple for so long — since before the actual combat was over — that it can sometimes seem as if every [...]

da: Corriere della Sera Sei personaggi (più uno che non si vede) in cerca di una trama che fa incrociare i rispettivi destini. Questa è la sintesi di Cuori, il film di Alain Resnais tratto dalla commedia «Private Fears in Public Places» di Alain Ayckbourn. Messo in scena dall\’ autore stesso due anni fa nel [...]

da: The New York Times It’s best to think of “The Nativity Story” as a Hollywood version of the kind of Christmas production some of the “Peanuts” kids put on in “A Charlie Brown Christmas.” This is not meant as a criticism. Quite the contrary. Leggi l’articolo originale